'Tis the future. Humanity has made immense progress. There is no other civilization on this side of the Galaxy, but we have managed to colonize hundreds of planets, some even terraformed. These terraformed ones are a stain on our history and those who stay there have dealt with much shunning. No longer. Humans are well beyond malice and spite. We're so far into the utopic reach, there is no sense of begrudging inequality or discrimination, there's no logic for superstition or religion. But far on an old home, our planet Earth enjoys a blissful ice age and the longest lasting pagan tradition mankind has ever celebrated: Christmas.
Thursday, 6 April 2017
You might say this is like trying to compare apples and oranges, and I think you might be right, not because one's better than the other, bottom line spoiler, but because they're different in tone and overall story design, but also even in scope. What I'm trying to analyze is how King Kong changed since 2005, why these changes are made and if they makes sense for the future of this classic monster movie. I'm not about to go into the history of King Kong movies, but it's fair to say that most people regard the original 1933 movie as the best one until this day. I don't know if it's nostalgia or if the movie is regarded today as a cinematic marvel for its time, but the originals are usually considered more important to cinema history than any remake or reboot, no matter how technically superior. But since I'm not going to go that far in time, all I want is to see if Peter Jackson's remake is the definitive King Kong of a new millennium, or if Legendary Entertainment's new attempt at reviving the titan ape in the hands of a relatively unknown director was a good idea.
Wednesday, 5 April 2017
Split hasn't really found the popularity it deserves, so there's a big chance it might not have been on your radar. If you have not seen this movie yet, be warned that this quick look on the movie contains crucial spoilers to the plot. I'll be looking at how Shyamalan proves he can still make good movies, despite a long series of awful decisions, some think starting way back with Signs, I'm thinking more like The Happening, since Lady in the Water was his last movie that I could force myself to enjoy. I also want to talk about how this movie ties to one of his earliest works and what it means for future Shyamalan films.